Designing Through Materials: A Theoretical Framework

Designing Through Materials: A Theoretical Framework

To be a good designer is to possess knowledge of materials, both practically and theoretically. Materials play a pivotal role in our design process, taking a prominent position in our work. In this article, we aim to share a theoretical design template that has been developed through years of practicing design through materials. This template comprises three categories that provide a holistic understanding of materials through different lenses. 

 

Material Qualities

"Materials tell the truth," as Isle Crawford aptly put it. This category requires looking at materials through the lens of an artist, utilising our artistic sensibility as designers to focus on the abstractness and atmosphere generated by materials. We can describe the qualities of a material in the same way we would describe the character of a person, with adjectives that tend to be qualitative and descriptive. For example, when we think of warm, friendly and inviting, wood often comes to mind. On the other hand, steel evokes feelings of austerity, stiffness, and strength. Form manipulation and details can be employed to reinforce and amplify these qualities, such as exposing joints or revealing the construction framework of an object. It adds an element of honesty to the design.

The fusion of different materials can initiate captivating relationships where opposing qualities coexist and generate tension. Combining metal with wood is a classic example of this dynamic interplay. Its a pairing frequently observed in design and designers have the opportunity to play with its intersection to lever the distinct characteristics of each material.

The Bridle Joint, from The Art of Japanese Joinery

Material Properties

Properties of materials revolve around their functional and practical characteristics, approached from an engineer or scientist's perspective. The appropriate material should be picked for the appropriate purpose and or application. For instance, steel's exceptional tensile strength makes it an ideal choice for reinforcing concrete foundations, acting as a skeletal framework that prevents cracking under stress.

Architect Auguste Perret, known for his ground-breaking work with reinforced concrete, compared a building's skeleton to that of an animal. He highlighted the importance of rhythm, balance, composition, and symmetry in architectural design. Similar to how an animal's skeleton comprises diverse forms and arrangements, a building's framework should accommodate various functional and intentional elements, establishing the fundamental basis of architecture. "If the framework is not worthy of being visible, the architect has failed in their mission", he wrote. 

Perret's assertion that the framework must be worthy of being visible highlights the significance of considering the structural elements as an essential part of the overall design. In other words, it should not be treated as an afterthought but rather as an integral component that contributes to the overall beauty and stability of a designed creation.

Auguste Perret  Church of Notre Dame du Raincy (1922–23)

Material Narratives

Understanding the origins and perceptions associated with materials is crucial because materials serve as instruments for building culture. This category entails viewing materials through the lens of a historian or anthropologist, delving into their historical origins, stories, and myths that have shaped and influenced our psyche and perception over time.

If we considering the diverse associations we have with a particular object, it becomes evident that materials possess a remarkable ability to transcend their physical properties and carry layers of meaning and cultural significance. By understanding and embracing these associations, designers can tap into the inherent storytelling potential of materials, creating designs that resonate deeply with people, evoke a sense of nostalgia, or spark curiosity.

 

 

Those three categories are not independent but interdependent, overlapping and influencing each other. There is no specific order to follow. By understanding materials at a deeper level, we can all tell better stories.

Selected
Designing Through Materials: A Theoretical Framework

To be a good designer is to possess knowledge of materials, both practically and theoretically. Materials play a pivotal role in our design process, taking a prominent position in our work. In this article, we aim to share a theoretical design template that has been developed through years of practicing design through...

Designing Through Materials: A Theoretical Framework
Kitchen Motion Studies

Historically, the kitchen has transformed from a space of labour into a space that leans more towards sociability, where entertainment and pleasure take centre stage and is implemented into design. The contemporary kitchen, in some cases has become more ‘ornamental’, built to demonstrate social status and is less about its utilitarian...

Kitchen Motion Studies
Designing Through Materials: A Practical Framework

Being a good designer entails possessing a comprehensive understanding of materials, encompassing both their theoretical underpinnings and practical applications. Materials play a pivotal role in my design practice, taking a central position in my creative process. The purpose of this article is to present a framework that delves into the...

Designing Through Materials: A Practical Framework
Designer's Guide for COVID-19: Hand Sanatising

A series of COVID-19 architectural diagrams inspired by Ernst Neufert's book, Architects' Data . These were intended to lighten the mood during the start of the 2020 global pandemic. Note: All dimensions are in millimetres. Sources are mainly around NZ regulations and guidelines, some are from other sources from other parts of the world.  Please refer to covid19.govt.nz for official information on...

Designer's Guide for COVID-19: Hand Sanatising
Designer's Guide for COVID-19: Overstocked Toilet Paper

A series of COVID-19 architectural diagrams inspired by Ernst Neufert's book, Architects' Data . These were intended to lighten the mood during the start of the 2020 global pandemic. Note: All dimensions are in millimetres. Sources are mainly around NZ regulations and guidelines, some are from other sources from other parts of the world.  Please refer to covid19.govt.nz for official information on...

Designer's Guide for COVID-19: Overstocked Toilet Paper
Designer's Guide for COVID-19: Physical Distancing

A series of COVID-19 architectural diagrams inspired by Ernst Neufert's book, Architects' Data . These were intended to lighten the mood during the start of the 2020 global pandemic. Note: All dimensions are in millimetres. Sources are mainly around NZ regulations and guidelines, some are from other sources from other parts of the world.  Please refer to covid19.govt.nz for official information...

Designer's Guide for COVID-19: Physical Distancing
The Making of The Terraced Concrete Bowl

The past can be a great source of inspiration. I was looking at some of the world-renowned historical concrete architecture for inspiration for my new design project. There was a noticeable terraced geometry that I found common in both the Pantheon ceiling (126 AD) and in some of the architecture...

The Making of The Terraced Concrete Bowl
The Story of Our Rimu

Rimu, also known as ‘red pine’, is one of New Zealand’s most popular native timbers. Māori used this wood to build canoes, tools and weapons and its gum was applied for medical purposes. In the early 20th Century, post-European settlement, rimu trees were extensively milled, valued both in the housing industry...

The Story of Our Rimu
Designer/Maker: Celebrating The Messiness of Process 2019 - The Talks

  The Bauhaus, the renowned school of design in Germany valued a cross-disciplinary approach to design and a process that required using ones intuition through physically engaging with materials - designing through making. Some of the most internationally recognised design outcomes have emerged with these foundations. Instilling these principles is what sparked the...

Designer/Maker: Celebrating The Messiness of Process 2019 - The Talks
Making A Cabriolet Leg

Making a Cabriolet Leg involves a great deal of learning, as it serves as an exercise in proportions and the creation of beautiful three-dimensional curves. The process can be broken down into four parts: drawing the leg profile, cutting the template, three-dimensional shaping, and carving. Tools & materials: Marking gauge...

Making A Cabriolet Leg
Digital Fabrication Projects 2016 - 2019

Digital Fabrication was an undergraduate elective paper that provided Art & Design students with the opportunity to explore various digital fabrication technologies, including laser cutting, CNC routing, and 3D printing. The focus of the course was on technical resolution and iterative making. During the course, students were advised to maintain...

Digital Fabrication Projects 2016 - 2019
Urban Acupuncture: Regenerative Solutions for Southern Grey Lynn

The studio paper explored a design method called urban acupuncture and proposed to apply its principles to a neighbourhood in the southern side of Grey Lynn, Auckland. Urban acupuncture, as explained in Sola Morales' book "A Matter of Things," offered a perspective on how small-scale interventions could have significant impacts on the...

Urban Acupuncture: Regenerative Solutions for Southern Grey Lynn
Twelve Intervals

  'Twelve Intervals' was a collaborative with artist Shannon Novak, for the Headland Sculpture on the Gulf 2016. View of the sculpture from the ferry  This sculpture explores an interactive threshold – how bodies transition from one point to another. In between, there is motion, physical engagement and a playfulness of colours and...

Twelve Intervals
Urbis Design Day 2017

The first edition of our furniture collection at Urbis Design Day 2017.       

Urbis Design Day 2017